Showing posts with label Boston. Show all posts
Showing posts with label Boston. Show all posts

Saturday, November 28, 2009

Lusting after Norwich: Interview with The Brownies and Bearsuit

I've been fantasizing for some time now about running away to Norwich. I've even done a little research into visas and if I would be considered a "highly skilled migrant." I wonder if there is a need for expressive arts therapists in Norwich? You are probably wondering why I have such a fascination with a place I've never been to, so many thousands of miles away from Boston, right? Well, because they have an amazing girl-friendly music scene happening right now, and it's really exciting to me. The funny thing is, most of the people I've talked to in Norwich seem to consider it a total norm to have so many girls in bands, so they've never even spent much time thinking about it.

I wish that were the case in Boston. Here, it is a common occurrence if you are in one of the rare girl bands to be forced to play first at shows (even if you've been around for several years are are tight/really good) and the all-boy punk band who has been around for 2 months gets to play later, when more people show up to the gig. Ugh.

I'm really interested in how this Norwich scene was created and nurtured, so I asked Maxie from The Brownies and Lisa from Bearsuit to answer some questions for me. And I'm going to spend some time in the upcoming weeks to explore some of the other awesome Norwich bands with you.

The Brownies





I'm looking at this from an outside perspective, but I'm curious what do you think the scene is like in Norwich?

Maxie Brownie: It's brilliant. We are so lucky to have so many good bands to go and see and play with every week. We thought it was normal, and all scenes were like it, but when we got out of Norwich and started touring, we realised how rare it is. Most of us are friends too, so it's nice to just be involved and be part of something that really excites us all.

Lisa Bearsuit: I think we do have a strong scene here and have had for a number of years. The thing with Norwich is that it’s quite small and insular, and surrounded by just miles and miles of farmland, which I think breeds a lot of creativity because there‘s not a whole lot else to do. You just get more and more people starting up bands, and the more bands there are, the more gigs and promoters and rehearsal studios and zines there are, and all of that going on inspires more people to jump onboard and start making music themselves. It’s a sort of snowball effect. We all know each other and in general everybody is supportive of each other’s bands.

And specifically, what is the scene in Norwich like for females?

Maxie Brownie: It's easy really. People don't even think twice about it. Most of the best Norwich bands have females in them - but it's not a novelty or a gimmick, they're just brilliant bands playing gggreat music. It's easier for girls (and guys) to develop their style in a scene where you don't feel like your gender will hold you back. I took this for granted until we went up North.

Lisa Bearsuit: I don’t tend to think about how the scene is different for females really, except that perhaps there are so many girls in bands here that that in itself will encourage more girls to learn to play guitar or drums or whatever. The entire scene is supportive and encouraging, whether you're male or female.

Bearsuit




In your opinion, how was this culture created (and nurtured) -- to have so many great bands, with so many female musicians?

Maxie Brownie: I think it started with bands like Kaito, Bearsuit, and probably even with bands in the 80's like Vital Disorders. Girls have always played an important role in the Norwich scene. When you have those kind of role models, for us it was Le Tetsuo, Pistolas, and Bearsuit, you have something to aspire to. Although there are female bands in the mainstream, there's usually a gimmick with them, or some kind of selling point that makes them so removed from what we're doing. When you're going out every week watching your favourite bands playing amazing shows in local venues, you just want to be a part of it. The other bands embrace you, which I think is important. Especially for us, because we formed in high school, which was dominated by male wankery bands who just laughed at us, it was so important to come out of that and be accepted into a scene that encouraged female activity.

Lisa Bearsuit: I would definitely cite Kaito as a massive inspiration. I remember going to see them, probably in the late 1990s and being completely blown away, but also thinking that I could probably do that if I put my mind to it. I think there are actually a lot of women in bands in every city, but perhaps the difference in Norwich is that the scene is so healthy and inventive in general that the bar is already set very high, making our ladies really stand out right now. Also we put a lot of work and effort in and try really hard. It’s easy for a girl band to play the same kind of boring, poorly written, and dismally performed songs as your average all-male pub band but somehow get more of an audience and a presence just because they’re women. Like, swap the line up for men, and would you really be so interested? Would they really stand out? I think we’re all trying to aim a bit higher than that.




What role does feminism have in this scene?

Maxie Brownie:: I can only really speak on behalf of my band here, because everyone has different views on it. But I think that feminism plays a big part in the scene. A lot of our lyrics have feminist subjects. I think the category of "feminism" scares people these days. But I don't think we're scared of it in Norwich, because we've got the backdrop of this supportive scene that gives girls the platform and opportunity to say what they really think. Because of this, anything less will not do.

Lisa Bearsuit:: I’m not sure it’s particularly feminist, or at least not in the traditional sense. We’re not all burning our bras or anything, but on the whole there’s a lot of good solid female friendships which is really important. Also with most bands there’s no bitching and we’re all really supportive of each other so there’s a definite riot grrrl attitude! I guess we’re making headway in an industry that’s traditionally male oriented so big thumbs up there too! Booooom!

How did your band start/evolve?

Maxie Brownie: We (The Brownies) started in GCSE music in high school. Then we just progressed from there really. We got new members to get better as a band, and have just been working hard for about 4 years now. We're all close friends, and I think that's important in the successful evolution of a band.

Lisa Bearsuit: Me and Iain Ross met at school and were childhood sweethearts. We met Jan at university, all bought electric guitars and decided to start a band (Bearsuit) after seeing Kaito play at the Arts Centre. We recruited further band mates Matt, Richard and Cerian, who have since left and been replaced by Joe and Charlene who we’ve been friends with for a long while.




What is your relationship like with these other bands?

Maxie Brownie: Grreat! We love most of the bands in Norwich on a personal level. I live and sleep with Ellie from Fever Fever, and Sophie, our singer, gets all satisfied with Lee from Uh Ohs (RIP). We speak to and drink with lots of bands - most of our friends are in bands. Other than that, we like to help anyone out that we can, as others have done for us. I make a zine all about Norwich music called Gravy, which documents all the exciting things happening in Norwich, so all round, we heart Norwich.

Lisa Bearsuit: Really good. I forgot to mention the scene here is really incestuous so everyone’s in other bands, and going out with each other, and all that stuff. So yeah, we’re like one big weird sexy family.

What advice do you have for people in other cities/towns who would like to create a similar girl-friendly (or just gender balanced for that matter!) music scene?

Maxie Brownie: Just keep going, and don't get put off by other people's opinions. As long as it feels good, then it's right. To create this type of scene, you just need to get the ball rolling, and people will follow.

Lisa Bearsuit: Well, anyone can be in a band, it doesn't even matter if you can’t play too good. Just go for it, and be strict, and practice, and be confident, and inventive, and really push yourself to be as good as you can be. That kinda goes for boys and girls.


         

Sunday, November 1, 2009

The Downbeat 5, Dum Dum Girls and King Khan and BBQ Show

Thursday I went to the Downbeat 5, Dum Dum Girls and King Khan & BBQ Show at The Middle East.  The Downbeat 5 are a Boston garage rock band who JJ Rassler (of DMZ and The Queers) formed a decade ago.  The group is fronted by Jen D'Angora, whose amazing vocals ranged from cooing sweetly and softly at times, to fiercly howling.  At some points her voice reminded me of Mia Zapata.  They played a great set.



The Dum Dum Girls, who recently signed to Sub Pop, played next.  Their eight song set was scribbled on a cocktail napkin and included an amazing version of GG Allin's Don't Talk to Me and ended (too quickly!) with Jail La La.  They were tight, fuzzy, lo-fi, magical, distorted amazingness.  I was already excited to see them live, but I love them even more now!  The current lineup included Dee Dee from Grande Ole Party, Jules, Bambi, and Frankie Rose. Frankie was in The Vivian Girls and Crystal Stilts, but she recently started Frankie and the Outs, who you have to check out or I can't be your friend.



I took videos but still cannot figure out how to transfer them from the iphone to the computer (any help on this would be greatly appreciated.)  Also, stay tuned for an interview with the Dum Dum Girls soon! And let me know if you have any questions for these fabulous ladies.




I've lost count how many times I've seen King Khan & BBQ Show, but as always they put on an amazing, energetic, humorous set. A highlight was a cover of Johnny Thunders You Can't Put Your Arms Around a Memory. This duo is one of my favorite live bands! Last time I saw them I had just broken my toe, so I had much more fun this time around.





     

Monday, September 14, 2009

Donna Loren So, Do The Zonk



Donna Loren was born in Boston (yay!) and raised in LA. She was a posterchild for Dr. Pepper and then went on to acting in beach party movies. These days she runs a fashion business in Hawaii. This song is from 1965 and I love it! Check out Donna Loren's website and be sure to click the record player in the right bottom corner to hear some of her other 45's.


      

Thursday, August 20, 2009

My introduction to riot grrrl

In the 90's, like the rest of the world, I got into grunge. I was coming of age in a time when alternative music was pretty exciting, and with the rampant furor of a pre-teen, I ate it all up. In middle school I found punk, which I wholeheartedly embraced. I started going to tons of shows, writing zines, trading tapes, and eventually putting on shows. At this time I was a typical punk teenager sporting a mohawk, piercings, ripped fishnets and mini-skirts.

But I slowly became disillusioned with the punk scene. There was so much testosterone around and I didn't want to be a coat-rack at a show, I wanted to dance and jump around like the boys. I believed in the DIY ethic, and I wanted to make music too! There were other things in the scene that I felt conflicted with as well. For example, at the time in Boston there were tons of fashion punks, and I thought it was really superficial. I didn't necessarily want to conform to the standard punk uniform, and people looked at me weird because of that. It had become just like what I was trying to escape in my lame high school. I dreamed about the '77 days, when women seemed more of an integral part of the punk scenes (maybe I am romanticizing this?)

Anyway, when I was about 15 years old I remember being at the library to use their internet and printer. I was depressed and looked up "Sylvia Plath" online (hahah - so cliche.) The lyrics from Bikini Kill's "Bloody Ice Cream" came up on my screen:
The C.D. Image via Wikipedia

"The Sylvia Plath story is told to girls who write
They want us to think that to be a girl poet
Means you have to die
Who is it
That told me
All girls who write must suicide?
I've another good one for you
We are turning
Cursive letters into knives"

I remembered a boy at school who was obsessed with Hole, mentioning Bikini Kill to me, talking about some scandal at Lollapalooza. Next thing I know, I bought The C.D. Version of the First Two Records and couldn't stop listening to it. I remember something clicking for me. I remember thinking, okay, this is it. I felt like I finally belonged somewhere. That someone got me. That was my introduction to riot grrrl.




Now tell me... How did you get into grrrl music?



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Friday, August 14, 2009

Juliette Lewis, Cat Power and The Pretenders Show


Juliette Lewis | August 12 at Bank of America Pavilion, Boston | Photo: Carina Mastrocola

I've been super busy at the IEATA (International Expressive Arts Therapy Association) conference and am looking forward to curling up with my puppy and relaxing, but I wanted to write a quick blog about the Juliette Lewis, Cat Power and Pretenders show in Boston on Wednesday.

I was very disappointed that Juliette only played for 30 minutes. She played a lot of new songs, including an interesting bluesy number from her album Terra Incognita that comes out 9/1 (which I was psyched to get a copy of early!) It was nice to get a sneak peak at the new material, but I really wished she would've played a longer set, including more of the songs I knew, so I could dance and sing.

Cat Power | August 12 at Bank of America Pavilion, Boston | Photo: Carina Mastrocola
Cat Power was interesting. The music was good, but Marshall's stage presence was awkward. She was in the corner without a spotlight on her for most of the show, or hunched over singing. I assume she has stage fright and is extremely shy, and I spent most of her set analyzing her movements, rather than enjoying the music. I guess sometimes being a therapist can ruin things. She did play a lot of the cover songs from her recent record. Her set was very low key. To build up momentum I wish she had played first, then Juliette and then the Pretenders.


The Pretenders | August 12 at Bank of America Pavilion, Boston | Photo: Carina Mastrocola



And as for the Pretenders, well Chrissy Hynde's voice was absolutely amazing live and her stage presence was the exact opposite of Marshall's: a self assured rockstar. My friend picked up the new CD, which I was surprised to enjoy so much. My favorite song is the title track, Break Up the Concrete.

Unfortunately my seats weren't great and the iphone camera doesn't have a zoom, so thanks to The Phoenix and Carina Mastrocola for their pictures.




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Thursday, July 23, 2009

GOSSIP tour the states.. finally!

Can't wait to see Gossip in Boston!

Wednesday October 7, 2009 Washington, D.C. 9:30 Club
Thursday October 8, 2009 Philadelphia, Pennsylvania TLA
Friday October 9, 2009 New York, New York Terminal 5
Sunday October 11, 2009 Boston, Massachusetts Paradise
Thursday October 15, 2009 Detroit, Michigan Majestic Theater
Friday October 16, 2009 Chicago, Illinois Metro
Saturday October 17, 2009 Madison, Wisconsin Orpheum
Monday October 19, 2009 Denver, Colorado Bluebird
Tuesday October 20, 2009 Salt Lake City, Utah Urban Lounge
Friday October 23, 2009 Seattle, Washington Showbox
Saturday October 24, 2009 Portland, Oregon Wonder Ballroom
Sunday October 25, 2009 San Francisco, California Regency Ballroom
Monday October 26, 2009 Los Angeles, California Henry Fonda Theater
Thursday October 29, 2009 Austin, Texas Emo’s
Friday October 30, 2009 Little Rock, Arkansas Vino’s





     

http://www.buyolympia.com/krsnew/Band=The%20Gossip